We are repeating last year’s series about Christmas carols. This was first published on December 12, 2018.
AT the start of Charles Dickens’s 1843 A Christmas Carol, we see Ebenezer Scrooge in his counting house on Christmas Eve. His nephew calls to ask him to lunch the next day but is sent away with ‘Bah! Humbug!’ ringing in his ears. A couple of collectors for charity are similarly banished. As the afternoon grows darker and colder, the final insult arrives. A young man bends down to the keyhole and sings:
God bless you, merry gentleman
Let nothing you dismay!
Scrooge seizes a ruler from his desk and makes towards the door with all speed. The terrified singer flees for his life into the fog.
So it seems that this is the carol referred to in Dickens’s title, though the usual line is God rest you merry, gentlemen, not ‘bless’. (Thank you to commenter Guglielmo Marinaro for correcting the first line last year – I had wrongly put ‘gentlemen’.)
This is a good one for a sub-editor to write about because the first thing to establish is where the comma goes in the first line. It is not where Dickens places it. In the 16th and 17th centuries, the period from which the carol is thought to date, the word ‘rest’ was a verb meaning ‘keep’ or ‘allow to continue’, and ‘merry’ had a wider sense of ‘contented’, ‘bountiful’ or ‘prosperous’. Thus the first two lines could be paraphrased as: ‘May God allow you to remain contented, gentlemen/Let nothing dismay you’.
For this reason the often-used variation of ‘ye’ for ‘you’, presumably to make it sound authentically archaic, is incorrect. ‘Ye’ is for addressing someone directly, as in ‘Oh ye of little faith’. In the context here, the gentlemen are the object of the appeal to God and ‘you’ is grammatically correct.
Here endeth the lesson.
The first known printed version was on a single sheet entitled Three New Christmas Carols in about 1760. In 1833 it appeared in a collection called Christmas Carols Ancient and Modern, in which The First Nowell and I Saw Three Ships appeared for the first time. This was ten years before Dickens’s story was published.
The melody seems to have been associated with the words since at least the mid-1700s. Rather surprisingly it is in a minor key, which is usually associated with mournful or sad lyrics, yet the words are cheerful and upbeat, with its message that nothing needs to worry us because our Saviour has been born, and the chorus:
O tidings of comfort and joy, comfort and joy,
O tidings of comfort and joy.
The arrangement generally used for this carol today first appeared in the 1871 collection Christmas Carols New and Old by Sir John Stainer, who also wrote the oratorio The Crucifixion, and the Reverend Harry Ramsden Bramley. Here the choir of King’s College Cambridge and the congregation perform an arrangement by David Willcocks.
There are many versions by singers including Bing Crosby, Perry Como, Nat King Cole, Ella Fitzgerald and Neil Diamond. However I could not resist including this one from the 2008 album We Wish You a Metal Christmas and a Headbanging New Year because of the brilliant title. In fact the track has a muscularity which many feel is missing from the church today.
You can see last year’s comments here.