Hallelujah! Quietly, a significant positive development in the broadcasting establishment may have occurred.
Might it be that the Government is at last waking up to the fact that the liberal figures who occupy the key regulatory posts are a menace to Brexit?
The current deluge of anti-Brexit propaganda emanating primarily from the BBC, but also from Ofcom-regulated services such as Channel 4, is the consequence of their current stranglehold over the regulation of broadcast services.
Back in January, the Department of Culture – as the referendum debate snapped into gear – incredibly appointed arch-Europhile and former editor ofThe Economist, Bill Emmott as chairman of Ofcom’s content board.
It meant he was in charge of investigations into allegations of bias in commercial radio and television’s coverage of EU affairs.
On TCW, I wrote that this was, in effect, appointing a fanatical fox as guardian of the hen house. Emmott, with funding from the EU – and in close collaboration with the BBC – had made The Great European Disaster Movie, which envisaged right-wing Armageddon if the supremacy of the EU was challenged or changed.
Not only that, through his Wake Up Foundation, Emmott was engaged in a full-scale propaganda exercise – with Richard Sambrook, a former BBC Director of News, and using the BBC film as ammo – around the universities of Britain and across Europe to brainwash students into believing that exiting the EU would indeed be a disaster.
Immediately after the piece appeared, however, Emmott’s appointment began to unravel. The News-watch website (where the blog also appeared), wrote:
‘After the publication of this post, an Ofcom spokesperson has contacted Newswatch with the following statement: “Any conflicts of interest involving non-executive Board members are managed appropriately and Bill Emmott would not be involved in discussions or decisions related to the EU referendum.”
Ofcom thus formally acknowledged that – at a crucial time in the coverage of EU affairs – Emmott’s interests and pro-EU passions were a conflict of interest.
That was back in February. In the meantime, Analisa Piras, Emmott’s partner in the making of The Great European Disaster Movie, wrote to News-watch:
“.. the piece… (about The Great European Disaster Movie) is slanderous and full of falsities. Please remove the slanderous comments or take it down immediately.
Please note that in the absence of any action from you I will be taking legal action.”
That was back in June. News-watch replied robustly that the item was fair comment on a matter of public and national importance and there has been nothing back since.
There matters hung. It seemed that Emmott was gradually taking up his role at Ofcom, despite the contradictions and his unbridled campaigning pro-EU zealotry. But then – without fanfare – it has been announced that he is definitely leaving. The Guardian here discusses the reasons without – surprise, surprise – mentioning the elephant in the room, Europe, at all. Neither side is commenting ‘for legal reasons’ but it is clear that Ofcom finally woke up to the massive conflict of interest issues.
This begs the question of why the hell the Department of Culture sanctioned the appointment in the first place – it was plain as a pikestaff to anyone with access to Google that Emmott’s pro-EU passions were a central driving force in his life.
But could now it be that the new Culture Secretary Karen Bradley has seen – and is taking action on – the crucial issue that such appointments are the core reason why the broadcasting establishment is so fundamentally biased?
Ofcom will become the court of appeal for complaints against the BBC from next year when the new Charter comes into force. Meanwhile, BBC Trustee Chairman Rona Fairhead – drawn from the same mould and outlook as Emmott – has also been given her marching orders. The crucial next phase will be the appointment of the new BBC management board. Watch this space.
(Image: Garry Knight)